Friday 27 January 2012

Woman in a Dressing Gown

Read my review of Woman in a Dressing Gown on Britmovie:

http://www.britmovie.co.uk/2012/01/24/woman-in-a-dressing-gown-1957-2/

Thursday 12 January 2012

Dave Gets It Wrong (Again)

So Dave's big plan for the Bristish film industry has been revealed!  Pour money into the big films which are going to make money anyway (and have probably already got American finance) and not the obscure, (left-wing?) 'arthouse' films that only a minority of nutters want to go and see.  Great plan Dave.  Let's have more Richard Curtis and less Mike Leigh, more Guy Ritchie and less Ken Loach.  Who needs Terence Davies when we can have the new Bond? It's all so thoroughl;y miserable, that indie stuff.  Give us more Colin Firth stt...stt...sttuttering and more Hugh Grant being affable.  Let's pour our hard-earned cash into that! I can hear Hollywood shaking in its Converses already.  The twats are coming!!

Wednesday 11 January 2012

What is a British Film?

The current hype around the premiere of War Horse, followed by Spielberg's claim that this is his first 'British' film, begs a few questions.  Can a film made by probably the most famous American director of his generation ever truly be a 'British'film? OK,the novel on which it is based was written by a British author and is set in Britain (as well as France).  The screenplay was written by Richard Curtis, whom we have to thank fopr such gems of British cinema as Four Weddings and a Funeral, Notting Hill, Love Actually etc, which portray a Britain - or more accurately an England - far removed from the everyday reality of most souls in these islands, but very popular with American audiences.  The Wikipedia entry for the film lists it as American, despite the largely British cast and in terms of distribution and finace it is grounded firml;y on the other side of the Atlantic.  So in terms of it being the latest chapter in terms of our national cinema, I would disagree.  The film is aimed firmly at an American audience first and foremost and Spielberg's knowledge of Britishness is bound to be skewed by tha fact that he isn't one of us.  That's not a criticism of him, just a fact.  True British cinema is by one of us speaking back to one of us, surely?